Thankfully, Target has just what you need when you’re designing or redecorating your home. You can also easily refresh a room with new curtains and blinds. Try our slipcovers to dress up worn chairs for a dramatic transformation. To add color to any space, add strategically placed rugs, pillows, poufs and throws. Photo frames let you add a personal touch, and displaying art objects and keepsakes on Target’s decorative wall shelves is the perfect way to make your house a home. Try one of our mirrors to give the illusion of more space, or bring flair to a room with elegant wall art. We take an approach we call 'Gently Grown' which applies from seed to sale. It is our goal to go above and beyond collaborating with these agencies to further improve understanding and safety. Or add an instant focal point with Target’s on-trend wall decor. At Heirloom, we strive to be as organic as possible and comply strictly with all MA DPH/CCC Regulations. Pick up fun and funky decorative home accents and home accessories for a unique look. Create a little ambience with deliciously scented candles, chic candleholders and fresh home fragrances. Our lighting selection, which includes desk lamps, floor lamps and ceiling lights, will help you brighten things up.
#THE HEIRLOOM COLLECTIVE UPDATE#
The big necklace and the ring at the top right are from 1830s England, the large sculptural earrings in the center are midcentury Indian and virtually weightless, and the ones on the bottom left are Dalmatian and around 300 years old.Looking to update your home decor? Target has a wide assortment of home decor options for every room in your home. I adore old things, especially Georgian and Edwardian diamonds. I got very into the region’s history of traditional dress, and I bought this hat from a 120-year-old shop I found.”īottom right: “This porcelain tray by the Swiss potter Christiane Perrochon holds the antique jewelry I wear nearly every day. Top right: “In December, I visited Seville, where we shot the brand’s spring 2020 ad campaign in a Moorish castle.
The past few years have created such a divide, and I think fashion is a place where we can strive for something better.” What drove the collection for me was the idea of connectedness. The beaded handbag was made by a group of Masai women, and the necklace was a collaboration with the British jewelry designer Grainne Morton. Left: “This was the opening look for my spring collection - an ocher and coral twist-bodice dress with seashell hand-embroidery done by Indian artisans. “I try to make things - these mélanges of color, craft and culture - that are joyful and transporting.” “Travel is really the jumping-off point for everything,” she says. These relationships also provide an excuse for her to get out of town: In the past year alone, she’s been to Argentina, Kenya, the Galápagos, Uruguay, the Yucatán, Seville, the Dolomites, Sicily, Peru and the Cornish Riviera. “My vision is always more languid and roving than something inspired by a specific trend or era or muse,” says Johnson, who lives between Brooklyn and Montauk, New York, and works directly with dozens of female artisans the world over, from alpaca spinners in the Peruvian highlands to folk embroiderers in New Delhi. While many of her pieces are laborious in their construction - see her cashmere knits embellished with tassels and delicate touches of crochet, or the shibori quilted army trousers from her latest collection - they manage to exude a sense of effortlessness. Johnson’s intention - to create carefully assembled pieces that will be future heirlooms - has remained consistent ever since, and her signature crisp poplin or silk midi dresses printed in microflorals have a devoted following. In 1998, she launched her namesake line with a small collection of tailored separates.
After graduation, though, she moved back to New York and started “mucking around in the garment district” while taking classes at the Fashion Institute of Technology. She thought she’d study fashion design but, encouraged by her parents to get a liberal arts education, ended up at the University of Michigan, where she majored in psychology and women’s studies. “I’ve always believed that things made by hand carry an emotional weight and spiritual energy,” says Johnson, 45. Her mother collected local textiles and jewelry on her travels, which sparked Johnson’s own love of block-print fabrics, rare objets and traditional craftsmanship. The Brooklyn-born daughter of two archaeologists (her mother and father met while uncovering Mesopotamian artifacts in Yugoslavia), she accompanied them to excavations in Iran and Germany. “I was always wandering through some remote or far-flung place,” the designer Ulla Johnson says of her childhood.
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